Except patakha guddi, nothing is much special in whole soundtrack of Imtiaz's Highway... A bit, infact, a lot of disappointment... Much more was expected frm AR Rehman- Imtiaz Ali duo, especially after a grand sound track of rockstar...
Check What Blogger/ Poet/ Critic Shahbaz Ali Naqvi (Shoby) Says
Monday, 27 January 2014
Saturday, 25 January 2014
Yaaiyan- Movie Review by Shoby
Yaariyan... Movie Review by Shoby...
1.5 out of 5 stars...
Divya khosla kumar, the debutant director draws all the inspirations from Farah khan's main hoon na... This one lacks a strong script, which is perhaps its biggest flaw... Story and screenplay goes nowhere at all... Only ray of hope to me was two beautifuly shot songs... 1.5 stars only for the awsome snowfalls, lots n lots of rains and off course excellent picturization of
Love me thora sa and baarish...
Sunday, 12 January 2014
Raam Leela... Movie
Ram Leela... 5 stars out of 5...
I felt no one can ever make something like the cult Saanwariya... Bhansali sb has done it yet again... Honored to watch this cinematic gem... Respect for Bhansali sb... Artist of milenium... And I am literally no one to review Bhansali's epic...
I felt no one can ever make something like the cult Saanwariya... Bhansali sb has done it yet again... Honored to watch this cinematic gem... Respect for Bhansali sb... Artist of milenium... And I am literally no one to review Bhansali's epic...
Friday, 10 January 2014
Highway- Trailer Review
4 out of 5 stars
This two minute thing is an experience of a lifetime... Yes, it does have written Imtiaz Ali and that too in BOLD and ITALIC font all over it... From the sky hitting shots to ice filled mountains... Bundled in (not so-typicall hindi film-ish) and purely Imtiaz Ali type of dialogues... One super confident, an over the top extrovert heroine (like in Jab We Met, Rockstar and love aaj kal)... A not so talkative hero (again like jab we met, socha na tha and rockstar)... A perfect recipe for a sheer cinematic extravaganza... This one will surely touch your heart... Needless to say, it touched mine... Yes, this is my type of cinema... Sky roaring expectations... Cant wait for this AR Rehman- Imtiaz Ali combo...
This two minute thing is an experience of a lifetime... Yes, it does have written Imtiaz Ali and that too in BOLD and ITALIC font all over it... From the sky hitting shots to ice filled mountains... Bundled in (not so-typicall hindi film-ish) and purely Imtiaz Ali type of dialogues... One super confident, an over the top extrovert heroine (like in Jab We Met, Rockstar and love aaj kal)... A not so talkative hero (again like jab we met, socha na tha and rockstar)... A perfect recipe for a sheer cinematic extravaganza... This one will surely touch your heart... Needless to say, it touched mine... Yes, this is my type of cinema... Sky roaring expectations... Cant wait for this AR Rehman- Imtiaz Ali combo...
Saturday, 2 November 2013
Krrish 3- Movie Review by Shoby
Krrish 3- Movie Review
3.25 Stars out of 5
Krrish is undoubtedly the most cherished superhero that emerged from the bollywood and its popularity has paved the way for making other superhero movies as well. Krrish 3 is one of the most anticipated films of the years and what came in front of us in the form of Krrish 3 is a real time full on entertainer.
Story is almost OK (just like any other superhero flick, good versus evil thing) but what makes Krrish 3 stand out is its beautifully written screenplay, which works thoroughly smooth in the proceedings. Krrish 3, to me, is perhaps the best screenplay in the triology. Another unique element in this part of Krrish franchise is the emotional quotient.
When you are making a superhero flick (with larger than life charcters embedded in the plot) and that too to woo the global audience, you need to have a great mix of script, emotions and effects and no doubt, Krrish 3 has a perfect combination of all three. Its a real visual treat, with never-seen-before (in bollywood) type of action and vfx sequences.
While building the plot for the main event, you get to see a few glimpses of action packed heroic attempts from the supoerhero, that prepares you for the actual drama. This time, not only Krrish is more powerful, but his counterpart (Kaal) is also more dangerous than Dr. Arya. In fact, this time Krrish has to fight with the world created by Kaal, which consists of Maan-war (a combo of human and animal features).
Hrithik Roshan is as usual the face of Krrish. Excellent acting in both avatars (Off the record, I liked Rohit's
part more). Priyanaka had nothing much to do (well these sort of movies do not have a good margin to act for the leading ladies). The most special thing about Krrish 3 is Kal himself (Vivek Oberoi). He is an established artist (and he has proved it times and again). It was very difficult to fill the place that was left by veteran Naseer ud Din and how beautifuly, Vivek has taken the things further... Its Commendable...
Sound track is perhaps the only spoiler of the flick, with no track to be remembered, once the films is completed. Salim-Suleman's background score is the heart of the movie. They have used some very popular arrangements in tunes (from Koi Mil Gaya and Krrish) to make it very appealing and famililer.
Overall, this one is a no age-limit flick and children of all ages should enjoy the things.
3.25 Stars out of 5
Krrish is undoubtedly the most cherished superhero that emerged from the bollywood and its popularity has paved the way for making other superhero movies as well. Krrish 3 is one of the most anticipated films of the years and what came in front of us in the form of Krrish 3 is a real time full on entertainer.
Story is almost OK (just like any other superhero flick, good versus evil thing) but what makes Krrish 3 stand out is its beautifully written screenplay, which works thoroughly smooth in the proceedings. Krrish 3, to me, is perhaps the best screenplay in the triology. Another unique element in this part of Krrish franchise is the emotional quotient.
When you are making a superhero flick (with larger than life charcters embedded in the plot) and that too to woo the global audience, you need to have a great mix of script, emotions and effects and no doubt, Krrish 3 has a perfect combination of all three. Its a real visual treat, with never-seen-before (in bollywood) type of action and vfx sequences.
While building the plot for the main event, you get to see a few glimpses of action packed heroic attempts from the supoerhero, that prepares you for the actual drama. This time, not only Krrish is more powerful, but his counterpart (Kaal) is also more dangerous than Dr. Arya. In fact, this time Krrish has to fight with the world created by Kaal, which consists of Maan-war (a combo of human and animal features).
Hrithik Roshan is as usual the face of Krrish. Excellent acting in both avatars (Off the record, I liked Rohit's
part more). Priyanaka had nothing much to do (well these sort of movies do not have a good margin to act for the leading ladies). The most special thing about Krrish 3 is Kal himself (Vivek Oberoi). He is an established artist (and he has proved it times and again). It was very difficult to fill the place that was left by veteran Naseer ud Din and how beautifuly, Vivek has taken the things further... Its Commendable...
Sound track is perhaps the only spoiler of the flick, with no track to be remembered, once the films is completed. Salim-Suleman's background score is the heart of the movie. They have used some very popular arrangements in tunes (from Koi Mil Gaya and Krrish) to make it very appealing and famililer.
Overall, this one is a no age-limit flick and children of all ages should enjoy the things.
Monday, 21 October 2013
Boss- Movie Review by Shoby
Boss- Movie Review...
2 stars out of 5...
This one is a thorough masala flick, that entertains the audience right from the word go... From whacky action sequences to lol type comedy, from father/son family drama to high energy songs, it has almost a perfect recipe... Akshay is as usual excellent. 2 stars, just because its not my kind of cinema...
Thursday, 17 October 2013
Waar- Movie Review by Shoby
Waar- Movie Review by Shoby
3 stars out of 5
Well I am reviewing a Pakistani flick for the very first time and a bit excited too. Waar was a talk of the town from the very begining, when it was started. Names like Shaan, the undisputed superstar of Pakistan, coupled with some big names of tv and music industry like Ali Azmat, Meesha, Shamoon, Ayesha and Bilal Lashari as the director, it kept people waiting for its release. But was the wait worth for... Lets analyze..
Bilal Lashari (the assistant director of acclaimed Khuda Ke Liye) has come up with a gem, as far as treatement of the subject is concerned. Excellent cinematography and awsome editing... And obviously, top notch script that keeps holding you right throughout the proceedings. I would specially like to mention the very catchy dialogues, that really bowls you over at times... Even in very tense sequences, writer has successfully managed to bring smiles to the faces of audience with his excellent dialogues. Coming towards acting, I am in a very comfortable position to call our very own Superstar Shaan, as the real baap of expressions. Just see, how he has played a grieved husband/father. Believe me, he needs no direction, his own ability to depict the emotions, merely by the blink of an eye or a tear drowning through his face is enough. What took me by surprise is the awsome and near to perfect acting showup by others.
Ayesha Khan, who is now a seasoned tv actress has proved that she is just ready for 35mm. Shamoon in negative role is super, at his very best. Some of his sequences have turned out to be an epic for sure. Check his very first appearance in the movie. Marvelous... Ali Azmat has proved his brilliance in a short role. Meesha looked like a real vamp... Very much authentic... Other supporting actors have also done their parts nicely.
Now some short comings, Sound track of the movie is not so impressive, but again if you have very solid screenplay, then soundtrack really doesnot matter upto a large extent... I really hated the dance sequence between Shamoon and Meesha in between the plot... I understand what you wanted to depict through this dance performance but come'on, the choreography could have been much better.
Another thing (read mistake) I want to specify here is the excess usage of English language... I know its almost of an international standard and you wanted to go global, but isnt it a stupidity to show some non educated persons talking fluently in English??? You could have done the things other way... Instead of making them speak in English and showing subtitlws in Urdu, you could have made them speak in their native language and used English in subs... This could have been much more impactful...
Further, I found the ending sequences a bit unreal... When the protagonist had the villain on his target, why would he engaged in a one on one combat (considering the fact) that he was a criminal of the nation and he should have been treated accordingly... Remember our hero (Shaan) was not a Superman/Krish like super-hero, so this one on one hand combat was looking like a bit unreal... He should have rather treated him naturally...
Overall, this movie is without any doubt a very gud attempt... Especially when our industry has nothing much to present, this one is a breather... Undoubtedly a thandi hawa k jhonka... Packed theaters and house full shows will surely and rightly bring success for it... Smiles, whistles n claps were depicting success of an amazing Waar... It is a new and fresh face of Lollywood... I can call this one with much authenticity... A real revival of cinema... Watch it for the greatest country Pakistan... Proud to be a Pakistani...
3 stars out of 5
Well I am reviewing a Pakistani flick for the very first time and a bit excited too. Waar was a talk of the town from the very begining, when it was started. Names like Shaan, the undisputed superstar of Pakistan, coupled with some big names of tv and music industry like Ali Azmat, Meesha, Shamoon, Ayesha and Bilal Lashari as the director, it kept people waiting for its release. But was the wait worth for... Lets analyze..
Bilal Lashari (the assistant director of acclaimed Khuda Ke Liye) has come up with a gem, as far as treatement of the subject is concerned. Excellent cinematography and awsome editing... And obviously, top notch script that keeps holding you right throughout the proceedings. I would specially like to mention the very catchy dialogues, that really bowls you over at times... Even in very tense sequences, writer has successfully managed to bring smiles to the faces of audience with his excellent dialogues. Coming towards acting, I am in a very comfortable position to call our very own Superstar Shaan, as the real baap of expressions. Just see, how he has played a grieved husband/father. Believe me, he needs no direction, his own ability to depict the emotions, merely by the blink of an eye or a tear drowning through his face is enough. What took me by surprise is the awsome and near to perfect acting showup by others.
Ayesha Khan, who is now a seasoned tv actress has proved that she is just ready for 35mm. Shamoon in negative role is super, at his very best. Some of his sequences have turned out to be an epic for sure. Check his very first appearance in the movie. Marvelous... Ali Azmat has proved his brilliance in a short role. Meesha looked like a real vamp... Very much authentic... Other supporting actors have also done their parts nicely.
Now some short comings, Sound track of the movie is not so impressive, but again if you have very solid screenplay, then soundtrack really doesnot matter upto a large extent... I really hated the dance sequence between Shamoon and Meesha in between the plot... I understand what you wanted to depict through this dance performance but come'on, the choreography could have been much better.
Another thing (read mistake) I want to specify here is the excess usage of English language... I know its almost of an international standard and you wanted to go global, but isnt it a stupidity to show some non educated persons talking fluently in English??? You could have done the things other way... Instead of making them speak in English and showing subtitlws in Urdu, you could have made them speak in their native language and used English in subs... This could have been much more impactful...
Further, I found the ending sequences a bit unreal... When the protagonist had the villain on his target, why would he engaged in a one on one combat (considering the fact) that he was a criminal of the nation and he should have been treated accordingly... Remember our hero (Shaan) was not a Superman/Krish like super-hero, so this one on one hand combat was looking like a bit unreal... He should have rather treated him naturally...
Overall, this movie is without any doubt a very gud attempt... Especially when our industry has nothing much to present, this one is a breather... Undoubtedly a thandi hawa k jhonka... Packed theaters and house full shows will surely and rightly bring success for it... Smiles, whistles n claps were depicting success of an amazing Waar... It is a new and fresh face of Lollywood... I can call this one with much authenticity... A real revival of cinema... Watch it for the greatest country Pakistan... Proud to be a Pakistani...
Tuesday, 8 October 2013
Lahu Munh Lag Gaya- Song Video Review by Shoby
Well I admit, the least catchy song of whole album was Lahu Munh Lag Gaya... But the time U see it, dnt get surprised if it becomes ur hot favorite... Another gem of Bhansali sb... Starts of just the way Ankhon ki gustakhian started... Another unique blend of colors and garba... A bit of non-lip-sync at the start, which I was talking abt earlier... Ranveer n Deepika... Just perfect... Hats off to Bhansali sb for making my day... This one passes the test with flying colors, literally!
Friday, 4 October 2013
Raam Leela- Music Review by Shoby
Raam Leela- Music Review by Shoby
4 Stars out of 5
Music and Direction: Sanjay Leela Bhansali
Lyrics: Siddharth-Garima
Talking about the music of the Sanjay Leela Bhansali's next directorial venture Raam Leela. Yes, we all know that Bhansali sb has always come up with exceptional sound tracks for his music and all of his earlier films had blockbuster music. So its natural for the expectation to rise even more, when he is coming up with a hardcore romance-musical drama. Lets see, what Bhansali sb has in store for us this time.
In Guzarish, SLB himself composed soulful music along with Shail Hada and this time Bhansali sb has once again proved his mettle as a composer.
Starting off with the much talked-about, Garba track, which I would love to call as rebirth of Dholi Taaro. This time its titled as Nagada Sang Dhol. As the name suggests, this one has a beautiful mix of Nagadas and Dhol beats. Shreya has done it for Bhansali, what Kavita did in HDDCS. Agession is what it needed to depict and how beautifully Shreya has coupled with the beats. Just one word Exceptional.
Tattad Tattad is a high voltage, fully loaded track, that acquaints you with the main protagonist Raam. Aditya Narayan has done the justice. This one is really an ultimate party number. Ready yourself to groove with the tune.
Ang Laga De starts of almost the way Sanwar Gai (Saanwariya) started. Sweet and soothing to ears. It takes your soul to another world. Lyrics are very poetic. Raat Banjar Si Hai, Kaley Khanjar Si Hai, Tere Seeney Ki Lau, Mere Andar Bhai Hai. U will definitely love it.
Dhoop is another slow tempo track, that heavily relies on composition and beautiful lyrics. Awesome instrumental arrangements especially the Shehnai part in-between, makes the whole proceedings very serene.
Ishqyan Dishqyaun has oncer again the son of legendary Udit Narayan, Aditya lending his voice. This one prepares you for the main event. It sets your mood and readies you to expect what really this film is all about. Ya To Nazren Laraon, Ya Main Khud Mar Jaon, Ishq Yeh Tera Mera, Ishqyaun k Dishqyaun.
This year's most favourite singer Arijit takes the mic for yet another power packed track Laal Ishq. Lyrics, Composition, Arrangement, Singing, everything is set almost falw-less. This one has the ability to be another Yun Shabnami or Masha ALLAH. U can do nothing except loving this ever lovely track. Lyrics are very much inspired from Gulzar sb style. Yeh Kali Raat Jakar Loon, Yeh Thanda Chand Pakar Loon. Wah... Superb!
Lahu Munh Lag gaya is more of a situational track, that will surely make its presence felt, once witnessed it in the movie. Mor Bani Thangat Kare is a regional language song that has the feel of manmohini (HDDCS).
And my most favorite pf the lot is the exceptional Poorey Chaand. Awsome lyrics and amazing composition. After Chand chupa badal mein (HDDCS), Woh Chand Jaisi Larki (Devdas), Dekho Channd Aya (Saanwariya) and Chand Ki Katori mein (Guzaarish), this is yet another Chaand Number from a Bhansali's movie. I feel, this will be another non-lip-sync track, just like Bahon k darmaiyan, aankhon ki gustakhian, bairi piya, Jaan e Jaan and Tera Zikr. These non-lip-sync tracks are another usp of SLB.
Raam Chahe Leela is another energetic number, most probably the one which would work as the much talked about item.
On the whole, this album really strikes the right chord and has a mix of nice classy and trendy tracks. Bhansali sb has surely come up with one grand master sound track.
4 Stars out of 5
Music and Direction: Sanjay Leela Bhansali
Lyrics: Siddharth-Garima
Talking about the music of the Sanjay Leela Bhansali's next directorial venture Raam Leela. Yes, we all know that Bhansali sb has always come up with exceptional sound tracks for his music and all of his earlier films had blockbuster music. So its natural for the expectation to rise even more, when he is coming up with a hardcore romance-musical drama. Lets see, what Bhansali sb has in store for us this time.
In Guzarish, SLB himself composed soulful music along with Shail Hada and this time Bhansali sb has once again proved his mettle as a composer.
Starting off with the much talked-about, Garba track, which I would love to call as rebirth of Dholi Taaro. This time its titled as Nagada Sang Dhol. As the name suggests, this one has a beautiful mix of Nagadas and Dhol beats. Shreya has done it for Bhansali, what Kavita did in HDDCS. Agession is what it needed to depict and how beautifully Shreya has coupled with the beats. Just one word Exceptional.
Tattad Tattad is a high voltage, fully loaded track, that acquaints you with the main protagonist Raam. Aditya Narayan has done the justice. This one is really an ultimate party number. Ready yourself to groove with the tune.
Ang Laga De starts of almost the way Sanwar Gai (Saanwariya) started. Sweet and soothing to ears. It takes your soul to another world. Lyrics are very poetic. Raat Banjar Si Hai, Kaley Khanjar Si Hai, Tere Seeney Ki Lau, Mere Andar Bhai Hai. U will definitely love it.
Dhoop is another slow tempo track, that heavily relies on composition and beautiful lyrics. Awesome instrumental arrangements especially the Shehnai part in-between, makes the whole proceedings very serene.
Ishqyan Dishqyaun has oncer again the son of legendary Udit Narayan, Aditya lending his voice. This one prepares you for the main event. It sets your mood and readies you to expect what really this film is all about. Ya To Nazren Laraon, Ya Main Khud Mar Jaon, Ishq Yeh Tera Mera, Ishqyaun k Dishqyaun.
This year's most favourite singer Arijit takes the mic for yet another power packed track Laal Ishq. Lyrics, Composition, Arrangement, Singing, everything is set almost falw-less. This one has the ability to be another Yun Shabnami or Masha ALLAH. U can do nothing except loving this ever lovely track. Lyrics are very much inspired from Gulzar sb style. Yeh Kali Raat Jakar Loon, Yeh Thanda Chand Pakar Loon. Wah... Superb!
Lahu Munh Lag gaya is more of a situational track, that will surely make its presence felt, once witnessed it in the movie. Mor Bani Thangat Kare is a regional language song that has the feel of manmohini (HDDCS).
And my most favorite pf the lot is the exceptional Poorey Chaand. Awsome lyrics and amazing composition. After Chand chupa badal mein (HDDCS), Woh Chand Jaisi Larki (Devdas), Dekho Channd Aya (Saanwariya) and Chand Ki Katori mein (Guzaarish), this is yet another Chaand Number from a Bhansali's movie. I feel, this will be another non-lip-sync track, just like Bahon k darmaiyan, aankhon ki gustakhian, bairi piya, Jaan e Jaan and Tera Zikr. These non-lip-sync tracks are another usp of SLB.
Raam Chahe Leela is another energetic number, most probably the one which would work as the much talked about item.
On the whole, this album really strikes the right chord and has a mix of nice classy and trendy tracks. Bhansali sb has surely come up with one grand master sound track.
Tuesday, 1 October 2013
Nagada Sang Dhol... Song Review
Song Review by Shoby
For all those, who were desparately waiting for another version of Dhol Baje, well the gud news is, it is now revealed... In HDDCS, what Ash did in dholi taro is simply unforgetable and no one can compete with that... But here comes another fresh take titled "Nagadre Sang Dhol"... If Tatad tatad belonged to Ranveer, this dhol baje is surely all and all Deepika's playground... Tune and musicals may sound familier (as its based on gujrati folk) but what makes it a roaring skyscraper is an immensly passionate performance of deepika... Absolutely stunning visuals (almost at par with earlier dholi taro) accompanied with Deepika's aggressive and passionate garba moves... Full marks to choreography and art direction... For all those, who missed a bit of bhansali in tatad, may get delighted this time... Slb is back with a bang!
For all those, who were desparately waiting for another version of Dhol Baje, well the gud news is, it is now revealed... In HDDCS, what Ash did in dholi taro is simply unforgetable and no one can compete with that... But here comes another fresh take titled "Nagadre Sang Dhol"... If Tatad tatad belonged to Ranveer, this dhol baje is surely all and all Deepika's playground... Tune and musicals may sound familier (as its based on gujrati folk) but what makes it a roaring skyscraper is an immensly passionate performance of deepika... Absolutely stunning visuals (almost at par with earlier dholi taro) accompanied with Deepika's aggressive and passionate garba moves... Full marks to choreography and art direction... For all those, who missed a bit of bhansali in tatad, may get delighted this time... Slb is back with a bang!
Non Lip-Sync Songs in SLB's Films
Bahon k darmiyan, Ankhon ki gustakhian, Bairi Piya, Mausam ki adla badli, Jaan-e-Jaan, Tera Zikr... One non-lip-sync picturized by depicting emotions through gestures and ambiance is a usp of bhansali sb's films... Will we witness another gem of a track with no lip-sync in #RaamLeela...
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