ALIF (Umera Ahmed)- Novel Analysis by Shoby

ALIF (Umera Ahmed)-Novel Analysis by Shahbaz Ali Naqvi (Shoby)

I am a 90's kid and many of us have grown reading Umera Ahmed. The name that is synonymous to some unforgettable stories with almost immortal characters. Well right from Haasil to La'Haasil, from Main Ne Khawabon Ka Sheher to Sehar Ik Ista'ara Hai, from Meri Zaat Zara e benishaan to Shehr e Zaat, from Mann o Salwa to Iman Umeed or Muhabbat and from the exceptional saga PEER e KAAMIL (saww) to relatively new epic Aks. I shall continue with mentioning the names of those epic write ups that we have been cherishing for so long and the list may not be concluded. So, let us summarize our discussion and focus on our primary object today. The latest offering by one of the legendary writers of our time Ms. Umera Ahmed, which she has tentatively titled as ALIF.

Do you know the meaning of ALIF. No, not that meaning which everyone "else" is telling us. I am talking about the Real meaning of Alphabet ALIF. ALIF, the very first ALPHABET of ISM of the CREATOR of everything (ALLAH). Get ready for the goosebumps now. While teaching the meaning of Bismillah al-Rahman alRahim, IMAM JAFER SADIQ (asws) said,  “ALIF is the Blessings [ala] of ALLAH over His Creatures from the bounty of our Guardianship [wilayah]. (Reference Book: KITAB AL TOWHID by Sheikh Sadooq, Page Number 237). So, all the BLESSINGS of our CREATOR ALLAH PAK are hidden in the meanings of LETTER "ALIF". Let me pause this discussion here and will resume the same somewhere in the middle of the review to give more insight about its relation with the novel ALIF.

ALIF (novel) is a combination of a plethora of  larger than life stories (and we know that it is the signature of Umera Ahmed to present larger than life tales). At one side, we get to see a maverick film director's journey from spiritual to materialistic and then reverting to his very own shade of nature (being spiritual). On the other side, we confront with a very common (read basic) story of an actress who went on to gain the triumph. Then there is a journey of a veteran actress who chooses ONE from the lot. And then there are two calligraphers both have a different dimension of love (ISHQ) to explore.

Now let us analyze the pertinent protagonists of the story. Qalb e Momin, being the talk of the town as the hit machine of Lollywood has been portrayed, just the way he was supposed to. Starting off with the grey side of his character, someone who knows the worth of being the only film maker with all commercially successful films under his banner, the hallmarks of his character from being rude & straight forward to arrogant and then his coming of age to sensible and noble person, he is undoubtedly, another gem of a character, penned by Umera. I found visible impact of different shades from Umera's earlier characters including Salaar Sikander (PEER e KAAMIL saww) and Sherdil (Aks) in this character. Character of Momina is crystal clearly written by the author. Various aspects of the character depict her struggle and continuous battle with the life. From an unsure struggling actress (Not A Wanna-Be but struck by luck), to an Academy award winner, her personality has been shaped by all the downs of the life with not even a hint of success negatively impacting her persona.

If we talk about the characters of Abdul ALI, Sultan, TAHA Abdul ALI and Husn e Jahan, I must say that the author has penned one of the most solid author backed characters this time. ABDUL ALI, heir of one of most cherished genre of calligraphy. His ancestors were considered the legends of this art form and they have painted/ calligraphed nothing but ALLAH (HIS ASMAA and Ayaat e Mubarka). His only dream was, to see his only Son (Taha) a true successor of his family heritage. Then comes Sultan, a make-up artist and a die-hard lover of Husn e Jahan, who can do anything for the love. Talking about Husn e Jahan, once a diva, a cherished actress who decides to marry a calligrapher cum dancer just in the love of SUPREME. Let us not forget probably the most pertinent character of Qalb e Momin in his childhood. A 10 years old kid, who has the strongest bonding with ALLAH. He loves to interact with ALLAH through postal medium. Innocence brought with the rock solid belief on ALLAH has been his biggest trait.

To be honest, it was quite difficult to give all these sub-plots an equal opportunity to blossom but hats off to Umera for handling the subject matter so delicately that you never miss a beat. You have no time to get distracted and bored as the proceedings operate so smooth, they do not allow you to derange and divert your thought process. At the heart of the mega plot, all these sub-plots are built, arranged and managed so evenly that you always look for what’s coming next. (Not after the ecstasy but in the plot :-) )

I am in no doubt to say that Umera has written ALIF in her very own signature style. The same sort of writing technique, for which she is famous. The treatment of Qalb e Momin childhood's part resembles to that of Chirya's in Aks. I love the way she expressed his relationship with ALLAH and steps to further strengthen this relationship (making a handmade postal box and writing letters). Somewhere I feel, I would have loved it even more, if he was shown writing a letter after his character’s make-over turn around, may be just to show his innocence shade of his character.

Dialogues in ALIF are pitch perfect. "Jo Tum Chor Ke Ai Ho woh dunya hai... Jo main chor betha hoon WOH ALLAH Hai..." Goose Bumps… hai na??? You always get to read a stunner in every paragraph. It was an amazing feel to see the magic sprinkling out from the same real Umera Ahmed's monologues. “Is ke kaantey hata diye hain main ne ta ke aap ki ungliyan zakhmi na hon... reminded me of “Aap ke paon bohat haseen hain... Inhain zameen per na utaiye ga, meley ho jaey ge” from Kamal Amrohi’s 20th Film-Fare winner Pakeezah. Similarly “aaj tumhain gaey 423 din ho gaey hain” made me recall another classic, theek kehtey ho tum dev… sirf dus saal from Sir Sanjay Leela Bhansali’s epic Devdas.

Now let me try to bridge the gap and create a sync between the real meaning of ALIF and the proceedings of this novel. As I mentioned earlier, according to the saying of IMAM JAFER SADIQ (asws), ALIF (ALPHABET) represents the BLESSINGS of ALLAH, which HE bestowed upon us (and every creation) due to the Wilayat of MUHAMMAD (saww) o AAL e MUHAMMAD (saww). In novel ALIF, we get to see several personalities, where everyone is dealing with this BLESSING in a diverse manner. At one hand Qalb e Momin becomes proud & arrogant, whereas on the other hand, Momina absorbs all the fame with utmost grace. Same goes for Husn e Jahan and Taha but ABDUL ALI is a bit affected negatively, which he later on realizes and tries to rectify.

Coming towards the scene creation, once again, she has proved her mettle here. There are many scenes in the novel, where you are spell bound by her masterstrokes. My picks are Death Scene of Jahangir, Scene where Momin discusses film on spirituality with screenplay writers and the scene, where Sultan comes to meet Husn e Jahan in Turkey.

Sultan: Main Pakistan se Turkey aa gaya aap ke liye… Aap ne chaey ka aik cup tak na piaya…

Husn e Jahan: Chaey ke liye aik cup doodh hai… Us se chaey baney gi to Momin raat ko kiya piye ga … Doodh piye bagher neend nahi ati usey…

Above all my most favorite scene of the novel is the dance sequence featuring Taha performing Rumi Dance on the stage and Husn e Jahan dancing at the back of the stage.

“This, my friends, is called the Sama—the dance of the whirling dervishes. From this day on, dervishes of every age will dance the Sama. One hand pointed up to the sky, the other hand pointing down to earth, every speck of love we receive from God, we pledge to distribute to the people.” (40 Rules of Love by Elif Shafaq). I felt like Taha and Husn e Jahan were doing the very same thing. Spreading love all around, the love they have gained from the CREATOR.

We all know that Umera Ahmed is best at imagery. From scenic locales of a Turkish sub-urb village to glitz & glamour filled life of a city with celebrities involved in the narration, from calm & content place of ABDUL ALI and Master Ibrahim to the house of struggling Momina in a mediocre place, everything is penned so authentically. Thank you Umera for not concluding the whole story in a mediocre way. If you would have made Qalb e Momin and Momina a happily everafter living lovey dovey couple at the curtains, it would have dented the story especially the primary theme of the novel. Leave everything for ONE and then you will be BLESSED with a need for Nothingness, something much above than Self Actualization (in the Maslow’s Needs Hierarchy).

Final words, let me confess that before ALIF, last novel of Umera Ahmed (Aab e Hayat) was not up to the mark, considering two primary things. First thing first, it was projected as a sequel to cult classic PEER e KAMIL (saw) but it miserably failed to have the same impact as of its predecessor. Secondly, considering Umera is at the prime of her writing carrier and Aks was a mind boggling read, Aab e Hayat fell short of my expectations in many ways (Read my review on Aab e Hayat at my blog Shobywood for reasons and details). But looks like in ALIF, Umera Ahmed has made a gigantic come back with all the success already written on the wall. Obviously, till date, PEER e KAAMIL (saw), Mann o Salwa, Aks and Haasil are my favorites and ALIF has not beaten their fan following as far as my views are concerned but yes, ALIF is a winner in every domain, if it is not compared with Umera’s earlier classics. As a matter of fact, I have not watched a single episode of dramatized version of ALIF and I really don’t want to watch it. Don’t want to spoil my mood if drama version couldn’t do justice with its written piece. Yes, I am not at all a fan of Pakistan’s current drama/ film industry. Leaving you guys with this from my one of the favorite seasons Penny Dreadful (Season One).

I have never seen, so much nothing…

Look closer… Recognize the pattern of nature

…THE END…

PS: This review is the property of Shahbaz Ali Naqvi and blog Shobywood. No part of this review is allowed to be reproduced without consent of Shahbaz Ali Naqvi, however blog link can be shared anywhere.

Rah e Noor- Novel Review by Shoby

Rah e Noor- Novel Review by Shahbaz Ali Naqvi (Shoby)

Say, "O you who are Jews, if you claim that you are allies of Allah, excluding the [other] people, then wish for death, if you should be truthful."

(Sura Jummah- Ayat Number 6)

Whenever I recite this thought provoking Ayat e Mubarka from Sura Jummah, I always wonder what the #death has in it, that ALLAH PAK has categorically challenged Jews to wish for it, in case they think themselves as allies of ALLAH and truthful.

Now check this line from Rah e Noor. Zindagi ki mehraab per likhi tehreer ka pehla lafz maut hai. Maut jor hai, tor nahi. Yes, this is the universal truth. Death, in reality, is simply a transition process, which teleport you from one universe (read jahaan) to another. So, what it takes to wish for death. The equation is quite simple. You wish for death and when it comes to you, you will get to know the truth of everything. The truth of your belief system and deeds. If they are proved to be valid, you will be rewarded by ALLAH PAK, otherwise, believe me dears, we are the one on the losing side and this loss is forever and no one knows what the term FOREVER means.

Coming towards Rah e Noor, Sumaira Hameed has chosen another interesting topic and this time she has come up with a win-win story. Rah e Noor is the story of three characters, who are all set to commit suicide, after-all what the hell is left in this not-so-friendly world. But the story takes you to a never seen before journey, which concludes on a very motivating note. Obviously, I wont tell you the whole story, as I don't want to be spoiler. You should read it to know what happens afterwards.

I feel, when life deprives you of every thing that you love & care, you are left with three emotions. Anger, Hate and Regret. Anger makes you weak, hate stimulates you to seek revenge and regret leaves you with frustration. Now take this phenomenon, what would someone do if he is on the verge of seeking revenge but is weak from inside and has nothing but frustration in his pocket. The result would be a big zero. So, what should one do, when life bereaves you of every damn thing that you cherish. It is the make or break scenario. I believe, all these three feelings (i.e. anger, hate & regret) are energies. If someone channelize them and make the positive & productive use of these energies, he will comes out as a survivor, and he will emerge as a real life hero. This is what we call a success story and the world is full of these success stories, out of which this Rah e Noor is one amazing affair.

The novel begins in a signature Sumaira Hameed's style and it reminded me of the start of her earlier offerings, Jog Aas and Wali. The novel briskly changes the mood and a bit of sadness gathers around you, when you get to know that the protagonists have started their journey towards the ultimate end (i.e. death) but with the passage of time, you feel, it is not a noir written by Sumaira, rather, it is a slice of life, coming of age emotional roller coaster ride that evolves the characters very smartly.  I love the way how Sumaira changes gears from a mental hospital to Khewra mine and from full of life Pehelwan-land in Gujranwala to serene, calm & composed environment of land of Sufis, Multan and the story concludes in sub-urbs of lively Chakwal.

To tell you honestly, there are few movies & books, that you never want to be ended. You enjoy the proceedings so purely that you just want to continue the journey and never wish its ending to be happen in a near soon. To me, I place Imtiaz Ali's Highway, Sir Sanjay Leela Bhansali's Bajirao Mastani, ABC's TV Series Once Upon A Time, Showtime's TV Series Penny Dreadful and Ritupuarno Ghosh's Raincoat in this category. Yes, Rah e Noor, without any exaggeration, successfully manages its secured position in the same genre. This road trip tale is one, that I never want to be ended.

Being a poet, I believe, the most difficult thing is to sum up all you want to say in few words. Those poets are considered as greats who have shown their command in writing couplets in Small Behars. Similarly, novels like Borshay, Main Bint e Jameela, Rab ul Bashar and now this Rah e Noor can easily be converted into mega novels with more than one episodes but hats off to Sumaira by summarizing the whole story in only few pages and that too without compromising on the quality.

One unique thing that Sumaira has explored in this novel is the romance with the figure three (3). If you watch it closely, you will see the repetition of figure three (3) in many places in the novel. Check this, it is a story of three characters Haadi, Talal, Ibrahim (which basically is further originated from their three distinctive stories). Then comes, three (3) parts (pehar) of night. When they come out from the mine, they get to see three (3) Roshni... Zindagi ki Saans ki alamat, Bachey... Aik naya jahan abad honey ki alamat, Aasman... ALLAH PAK ki behisaab Rehmat ki Alamat. A small boy outside mine gives them three products, Shaheen, Safaid Phool, Khanjar. Three (3) moves (dao) of life. Pehla dao... Iman... ALLAH PAK ki adalat mein muqadma, Doosra... Sabar, Teesra... Raza... ALLAH PAK ki Raza pe Raazi. And last but not the least, Pehla Chakar... ALLAH PAK ne zindagi ko pasand kiya, Doosra Chakar... Zameen kahin nakhlistan hai kahin sehra... Insan ki zindagi, Teesra Chakar... Her shey her amal ki qaza hai... Zindagi ki nahi...

Talking about Sumaira's another strenght, the dialogue writing, here once again, she shines with the glory. See, how beautifully she uses the sweet Punjabi dilect, Ik Maan Meri O Piyari... Is Maa naal meri yaari.. Mera dil tey meri hayati... Main maa tu jind wari. It reminded me of the Gulzar sb's symbolical approach, when read Sumaira's words in the Para Gliding scene, Acha to uper se zameen aisi dikhai deti hai... Pehley maloom hota to woh safaid badlon mein aik ghar bana leta... Ghar ki khirkiyan khol ker roz aisa nazara kerta... The one statement that stunned me, Insan ke jism mein itni taqat hai to rooh mein kitni ho gi??? Kiyo ke Rooh jism se afzal hai... And this one has written Sumaira Hameed all over it, putting negative-positive in one phenomenon under same situation, Inhain Bhaa ki zabardastiyan achi lagney lagi thi... Inhain Bhaa ki zabardastiyan zehar lagney lagi thi... And this beautiful food for thought Kabhi dawa mein shifa hui hai??? Yeh to ikhtyar waley ke kamaal ka kamaal hai...

It is a fortay of Sumaira that she keenly observes the environment and minute details of her subject matter, due to which her writings stand out from the rest. The way she has used the native language of pehalwaans in Gujranwala is amazing. From their Kushtis and counting style, to the statement,  Zindagi jeetney ke liye 360 dao aney chahiye... Warna sirf Aik (1)... Insan ko jeena ana chahiye... Mar to sab ne jana hi hai, she was all pitch perfect.

Overall, This novel is an epic road trip tale, that acts as an amazing motivation, that makes you count what we have, instead of what we have not. It has a message written loud & clear on it, Live the life, as it is the best blessing of ALLAH PAK. Don't take it for-granted.

Jab aap mout ki taraf safar shuru ker rahey hotey hain magar zindagi aap baahen khol ke aap ka istaqbaal kerti hai...

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Tulip (Sumaira Hameed)... Review by Shoby

Tulip (Sumaira Hameed)... Review by Shahbaz Ali Naqvi (Shoby)

It is always a breather to read Ms. Sumaira Hameed. Do you know why? Because you are 110% sure for at least one thing that if it is a Sumaira Hameed's written piece, it must be unique. Be it the title, topic, subject matter, characterisation or narrative. So, here we are reading Tulip. And the freshness in the air is already focusing on the fact that Thanks GOD, Sumaira has returned to a genre, we don't read regularly in Urdu literature, especially when it comes to our today's digest writing. Welcome back Sumaira to the genre of fantasy.

Tulip is a light sit-com fantasy, which is hereto leave a strong impact that grand phenomenon can be expressed through some very light moments. Sometimes, you don't need to go through some deep philosophical stuff to make a point. You just need to stay calm, focus on your vision and use simple observation and the rest of the magic will be done by your aesthetic sense. And this is what Sumaria has done marvellously, this time. Looks like she was indeed clear about her primary objective and knew exactly where & how the story needs to be narrated.

Aleeza (a combo of Amraha & Veera) is a mean girl. (Please don't tell her that I have used the "M" word for her) and luck crosses her path with Abubaker. Abubaker, a mute handicap special person, who still have some dreams to achieve. STOP... After reading the words, MUTE, HANDICAP and blah blah, don't you ever wonder that Tulip is a tear jerking story of a man, on a deathbed. No, in fact, Sumaira has made this tale a very entertaining affair.

Remember The Fault In Our Stars. Such a gloomy premise but see, how John Green literally changed the atmosphere. He wrote a suspended sit-com romance and not for even a minute second, we realised that we are reading a story of two teenagers who are just about to die. This is what Ms. Sumaira has done here. Although, in Tulip, Aleeza was 100% fine (talking strictly about physical conditions and NOT at all discussing her mental condition) but Abubaker on the other hand was not good (both, physically & emotionally).

Oh, how could I forget the most pertinent character of the story. Tulip. An ordinary looking piece of paper but not at all ordinary, when it comes to sprinkle magic. It has the tendency to express what a mute person wants to say. Well, we have seen this sort of characters earlier in western fairy tales and I cant recall any such experiment in Pakistani literature. I remember Mr. Aleem ul Haq's fantasy novel Hazaron Khuahishen Aisi, where he tried the idea of the genie and fine tuned it, according to our culture but even then, he didn't used anything like talking or expressing paper.

So, how this Tulip played the role of a matchmaker is an interesting thing to be read in the novel. Going with my style, I am not producing a spoiler here so don't expect the complete story in my review. But just in order to give you a hint of what actually happened in Tulip, let me tell you that Aleeza & Abubaker, unintentionally & unwillingly came together at one page (read Tulip) and slowly & steadily both of them found a place NOT in their hearts but only in their lives. Love is not, what is always cooked between a girl & a boy. Or bhi dukh hain zamaney mein mohabbat ke siwa... :-)

This time, I once again enjoyed the dialogues and all of them were having a visible stamp of Sumaira Hameed's, all over them. Now, this style is my very favourite. Being a poet, I literally love when Sumaira creates a soothing lyrical line: Woh jazbati tor per achi tarha se blackmail ker letey they... Woh jazbati tor per puri tarha se blackmail nahi hona chahti thi... Sumaira has this beautiful habit of producing these sort of sentences in her writings, where she comparatively analyse two characters, take one expression & use this expression in two different ways, like two opposite side of the picture. You can find numerous examples of this writing technique in Us darr Ka Jogi, Yaaram, Borshay and others.

Although this novel is written in a very light mode, Sumaira still did not hesitate in delivering some very important social messages. Jin logon ki her khuawish pouri hoto hai, woh bht badnaseeb hotey hain... 

Khush naseeb to woh hai jo kahin na kahin se adhoora hai... Hum itney masroof ho chukey hain or humarey paas waqt ki itni kami ho chuki hai ke hum jo bol saktey hain unhain nahi sun saktey... jo bol hi nahi sakta, usey kaisey suney ge...

Without being preachy, Sumaira has been pretty much successful in giving some real lessons for life. She emphasised that no weakness is a weakness and no disability is a disability, if you dream big and if have the passion to make these big dreams come true. By looking at the visible condition of Abubaker, it is such a pleasant breather to see really cant realise that such a person still manages to have hopes and he really want to live a life full on, just on the basis of these hopes.

We see two different characters. One having almost all the facilities of living (at least) a normal (if not luxurious) life i.e. Aleeza, who is always complaining. On the contrary, we have a character Abubaker mute & handicap but still living a life, with all the hopes to rise & shine once again. Sumaira stresses on the fact that needs of even the poorest of all are fulfilled but desires (and that too if comes into luxury) can never be fulfilled even of an emperor.

Reason being quite simple. Just recall, Maslow's Needs Hierarchy. You accomplish one need & the next one arises instantly. Even if you become self actualised at one stage for a specific phenomenon, you still feel that you are still in the category of basic needs in some other aspect of life. This is the mantra of life. So, it is not wise to run before a mirage. Establish a solid SMART (specific, measurable, achievable, realistic & timely) goal, focus on your path and just follow the passion.

Coming back towards Tulip, this sit-com is full of some excellent real mile producing incidents. Sumaira, very smartly, pitches some very entertaining one-liners right from the word go till the curtains, that ultimately made Tulip an excellent read.

Paper goonga tha, warna adha, warna "yaqeenan" sangdil

Ab woh diary kisi or ko piyari ho chuki hai... Meri mano to to usey us mariyal si larki ke paas rehney do... Is saal bohat record tor sardi parney wali hai... Woh larki darja hararat girney per uth jaey gi...

On the whole, I feel Tulip is a breeze of fresh air in this mess of a life. It is a brilliantly executed entertainer with some pertinent messages in the heart of the script with amazing comic moments.

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