Saturday 8 September 2018

Suljhey Huey Logon Ki Uljhi Hui Kahaniyan- Book Review by Shoby

Suljhey Huey Logon Ki Uljhi Hui Kahaniyan (Binte Syed)- Book Review by Shahbaz Ali Naqvi (Shoby)


Prolific American writer Ernest Hemingway said, “There is nothing to writing. All you do is sit down at a typewriter and bleed.” Books are love and to me, reading & writing is a blessing in its own way. In this digital age of globalisation, we have lost a class of writers which ultimately resulted in the loss of charm of reading and not many of us dare to write complete books. I personally feel that writing a book is not an easy cup of tea, especially for the new entrants. There is a very little or practically no reception in terms of books sale and while writing a book, you are basically taking a risk, if you are not an established writer.

This is why, I always admire those who become a ray of hope by writing something and then take a challenge to convert their writings into books. In this book drought, here we have Ms. Bint e Syed, who has become a ray of hope for people like me. Hope of belief that some people still exist, who want to make a difference. Now let us explore her book and see, what she has in it for the reader.

SHLKUHK is an interesting title and it clearly indicates the overall theme of the book, which is further elaborated by the writer in her preface. She says, Yeh kahaniyan hain suljhey huey logon ki, jo ulajh gaey mubabbat ke bandham mein... This book is a collection of 14 short stories with diverse shades of our society.

According to English novelist/ philosopher Aldous HuxleyTo write fiction, one needs a whole series of inspirations about people in an actual environment, and then a whole lot of work on the basis of those inspirations.” The same simple practice is followed by the writers and the result is this book in your hands. As a true artist, she seems to be inspired from the actual proceedings of our society and this is what her writing has taught me about her. 

The characters used in various stories belong to our very own society and we can easily relate or locate them within us. Although, it is a work of fiction but while reading the book, you never feel, if you reading some fictitious stuff. Reason being the use of real common language & dialect, which everybody can relate with. I feel, you must have met with some of these characters with different names, at different places in some part of your life in our very own living planet. 

We human beings are perhaps the most complex creation of ALLAH PAK, courtesy our complex nature. We are emotional and we have something that differentiates us from other creations, power to express our feelings through verbal & non-verbal communication tools. Language & words play an integral part in our life and we don't hesitate in giving us our opinion in various issues. This opinion can be in any form and at times, we really don't care, how the other one will feel or react to our thoughts.

Bint e Syed has highlighted the same phenomenon in her different stories and the best thing about her writing is, she never tried to be judgemental. rather, she left it all to her readers to decide whether the action of her protagonists were right or wrong. This is the best quality of a writer to write without being biased and let your readers decide the goodness or badness of an act.

One good thing about the writer is her simplicity in presentation. She never tried to exaggerate the things, which would have made the story look superficial. In fact, she kept the things plain enough to give her readers and opportunity to read, understand, monitor and decide. Her dialogues are plain and easy to understand, however, at times, they look like cliched. So I personally feel she should focus more on her dialogue structure building. At places I have found few grammatical & linguistic mistakes, which should be avoided in future to enhance the impact of writing.

I have a major complaint for new comers, they don't take the writing serious. It is quite evident from the fact that they simply ignore the very basics of writing. One should know the basics of the domain in which he or she is working. Poetry has its own sets of rules which I call the Science of Art of Poetry and similarly prose has also some set pattern to follow. If you don't follow the SOPs, you will not live for long in the field of literature. 

This is for everyone, who is in writing field, please focus on what you are writing. While writing a short story, fiction (afsana), novel or novelette, you should bifurcate the narrative part with the dialogues. Do not make a mess of it by joining everything at one place. This will do no good for you. As a matter of fact, it distracts, rather bores the reader. If you want your writings to look efficient & effective, clearly give spaces, use valid punctuation marks, where they are needed, classify between the narrative part with the dialogues. This is the way to make your read look clean and easy to understand.

As I always say and mention in my reviews, in order to write good, you have to read well and in order to write well, you must read the best. The more you will read, the better you can write. An artist especially a writer has to be a keen observer of society as well as an avid reader. This is the only way to think out of the box and to bring the uniqueness out of yourself. Unfortunately, new comers don't learn a lot from the experiences and they carry on committing the same mistakes. Either they try to reinvent the wheel or they are happy with what they are doing. I always focus on one thing, son't stop learning. 

If you ask me, which was my favourite story from this collection, I would probably unable to answer you with a single title. I guess, all of these stories have the same flavour, which primarily tells us about different shades of love , friendship, romance and other human relations. However, I feel, Zaat Ka Safar is indeed the best story of the book. It was authentic to the core and conveyed the message amazingly. Khudkushi was another daring attempt to showcase something new. 

Being monotonous with her subject picking, up to some extent made me bored at times, as considering her abilities, I was expecting her to discover some more unique genres. But as she is new in the field, I believe she will make the best use of her writing skills in future. I believe, she will definitely take her writing to the next level in her upcoming works. She will surely write unorthodox and will bravely explore the unexplored.

I would leave you guys with one request. When someone writes something, give him or her the due share of respect by providing your honest feedback.  In this case, I would urge you to purchase Binte Syed's book and do give your valuable (honest) feedback to her read her, so that she get some more motivation and works more hard in future.

Friday 7 September 2018

Woh Khawab Woh Khayal (Sidra Abbas)- Review by Shoby

Woh Khawab Woh Khayal (Sidra Abbas)- Review by Shahbaz Ali Naqvi (Shoby)




Women Empowerment is the voice of this century. We have seen some great women in the history who have stood up firm against the tyranny faced by either themselves or other women in this male dominated society. Same is depicted in different art forms and almost every domain of art has done its part in this regard. Sidra Abbas took the same subject matter and gave us her take in this mystery titled as Woh Khawab Woh Khayal in TMS Darr Matt.

Let me tell you that regardless of being relatively new in the business, Sidra is a very authentic writer and her command on portraying social taboos is amazing. I have been a fan of her story Dhool, for which she won a position in TMS Season One. So, it was quite obvious for me that whatever she will write, she will surely highlight some serious social issues and WKWK is the picture of my words.

WKWK is a beautiful blend of two stories with the primary focus on the little developing love story between a young college going boy with a lady in her mid 30s (a love story with different religious backgrounds too) and another story which makes the ultimate background climax of the story of a courageous woman, who tried to fight for her right but ended up being abused in the society both morally and physically. You know what, the fear emerges from where the tyranny ends and here the writer produced the same.

Although the premises of the story seems to be a tested & tried formula but Sidra has done well to mark her own stamp onto the story. She is a keen observer and what I like about her writing is her dialect which goes smoothly well with the aura of the story. She used the environment of ancient Aligarh in this story and used two different languages. One being pure Aligarh style Hindi dialect of Urdu and second, native language of the locals with a bit hard & stretched accent. The backbone of this story is the amazing use of old song's lyrics and Ghazals amalgamated well with some dance.

The writer has a habit of using some real eye catching lines after every now & then. See how beautifully she portrays the feelings. Kabhi kabhi main sochti hoon ke is puri dharti mein aik ramz hai, aik taal hai...Raat mein aisa kiya hai... Raat mein khushi hai, jashan hai, milan hai...Woh sangeet ki malka thi... Jab gaati to jatey musafir ruk ker sunney lagtey... Jab naachti to waqt ki dharkan bhi saakin ho jati... Woh kala ka fakhar thi...

In order to gel in with the theme of the competition, writer used some amazing chill creating scenes where a woman is shown dancing in nights. The mystery enhances with the supremely graceful lady sings or listens to some of the great old compositions with all the sorrow and sadness, depicted through her face. Dialogues are rich and give a feeling of you being there right into the proceedings. Sidra was never in a hurry and she brought the penultimate climax with sheer ease and flexibility.

Let me also discuss some short comings in the story that the writer needs to work on. First of all, this story was placed in such an environment, where we have already seen multiple stories already. I would have been more happy if the writer would have taken some unique premises. I expect these writers to do some extra effort and come up with diverse unexplored ideas. Secondly. apart from a couple of scenes, no serious fear factors were present in the plot and it looked more like a social drama than a horror mystery. But still,m this story is a winner in its own domain and it remains with the reader for her larger than life scenes and classical dance and musical background.

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Jo Tu Chahey To (Zohra Khalid)- Review by Shoby

Jo Tu Chahey To (Zohra Khalid)- Review by Shahbaz Ali Naqvi (Shoby)


Vanessa: Let it end. With a kiss.
Ethan: With a kiss. With love.
Vanessa: With love.

(Penny Dreadful)

Horror, mystery, suspense and thrillers are the genres, I love the most. I believe, trying any of these genres is as much difficult as writing comedy. Reason is quite visible, here, you have a vast land to explore but in the same time, you have a very less margin of getting diverted from your main pitch of ground. The intensity of the risk even more increases, when you are coping up with a psychological thriller and Zohra Khalid is a brave writer, who tried to write on this genre.

I read Zohra Khalid for the first time in The Master Storyteller (Season One) and to tell you honestly, her first story didn't impressed me much, even if I give her the margin of being a new comer. But as they say, hard work is the key to success, I have never seen someone more hardworking than Zohra and result is quite clear. From Muhabbaton Ke Jahan Mein to Jo Tu Chahey To, she has come a long way and I have witnessed immense improvement in her writing. Her thought process & brainstorming is a clear indication of how unique, she wants to write and this story JTCT has strengthened my belief that she is here to make her own mark in our literature.

JTCH deals with the complexity of human emotions and reactions of individuals on the actions of our so-called society. The more we try to hide ourselves from others by avoiding their miss-deeds, the more they try to influence us through their desperate and demotivating acts.

JTCH stands tall on depicting two major phenomenon. One, how a couple especially the ladies of our society goes through both mentally & physically, when they are lacking something and secondly, how the overall society damages their integrity & abolishes their own confidence through their negative feedback. It is a simple say, if you cant solve anyone's problem, don't try to become the part of the problem, but alas, we, collectively, does not endorse the same. On the same page, Zohra very delicately presented a nice strong bond of the couple and their cooperation with each other, while going through a dark phase of their live. This is actually what relationships require, to be with each other, in every thick & thin.

Considering the theme of TMS Darr Matt competition, what excited me the most in JTCH, was Zohra's different game plan to go with. Believe me, this was one of the genres, I wanted participants to explore but unfortunately, no one paid attention on this shade of fear. Frank Herbert says, “I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.”

This psychological thriller was a nice compact tale of how you should overcome with the fear of uncertainty, in order to achieve the triumph. The nice little dream sequences in the story were a real winner and I just loved the way Zohra used English mono-liners. Lines like I don't live in darkness, The Darkness lives in me... All monsters are humans... I love the darkness in you... are penned beautifully and they really brought some chills in the plot.

They were more than effective in enhancing the overall flavor of the story. It was indeed a sigh of relief to see a young writer summing the whole thing up by using merely two main protagonists with a couple of supporting characters. Thankfully, she conveyed her message clearly without making any mess by using needless number of characters.

I would also like to mention a few shortcomings, that should be avoided in future by the writer in order to make her writings more powerful. No doubt, she is a keen observer and her research is visible in the plot, but she needs to focus more on dialogues structure building. It is a very bad habit of our new young lot of writers that they don't focus on grammatical & phonetic detailing. And the worst part is, they don't differentiate between narrative & dialogue writing. This is a matter of concern for Zohra as well. But I believe, she will improve in future. Considering it as the initial phase of her writing career, I must say, with a little more hard work & creative thinking, she can become a brilliant writer. You all should remember Paulo Coelho's famous saying, "Remember your dreams and fight for them. You must know what you want from life. There is just one thing that makes your dream become impossible: the fear of failure."

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