The Master Storyteller Season 3- Terms & Conditions

The Master Storyteller Season 3

Terms & Conditions

Us Darr Ka Jogi (Sumaira Hameed)- Fiction Review by Shoby

Us Darr Ka Jogi (Sumaira Hameed)- Fiction Review by Shahbaz Ali Naqvi (Shoby)

Before starting my review, let us take a moment and enjoy few of these couplets from one of my "Taveel Ghazal" from my debut poetry book Main Bekhayali Mein Sang Tere...

بھلا کے روز و شب کے سب جھمیلے
وہ میرے دکھ اٹھانا چاہتی تھی

زمانہ چاہیے تھا اس کو سارا
میری بانہوں میں آنا چاہتی تھی

وہ لمحے جو خموشی کی نزر تھے
وہ ان میں کچھ بتانا چاہتی تھی

اسے میرا جہاں بھی چاہیے تھا
وہ خود بھی کچھ لٹانا چاہتی تھی

حقیقت کیوں کہانی کی طرح ہے
محبت کیوں فسانہ چاہتی تھی

بلا کا جال تھا اس کی نگاہیں
مجھے جن میں پھنسانا چاہتی تھی

وہ پاگل تھی یا پاگل کر گئ ہے
وہ کیوں دل میں سمانا چاہتی تھی

میرے اس دل میں کیونکر بس گئ وہ
جو اک بہتر ٹھکانہ چاہتی تھی

ملن بھی اک ازیت تھا یہاں پر
محبت ہار جانا چاہتی تھی

شہباز علی نقوی

Reason why I quoted my Ghazal is a simple one. The moment I read Us Darr Ka Jogi, I recalled this Ghazal and thought, had this fiction been written prior to my Ghazal by Ms. Sumaira, I would have very conveniently said that the expressions & feel of my this Ghazal is inspired from Sumaira Hameed's Uss Darr Ka Jogi. The resemblance as far as the feelings are concerned are shockingly positive.

Some characters don't need a name. There mere presence in the narrative is more than enough to strengthen the belief that they were here to live a long lasting life in your memories. If you think that gone are the days of that pure innocent love dipped in utmost shyness that used to be a tale of every town, then think again. As I always say, re-visit your premises and you will surely find a real life story which would be a practical representation of what Sumaira Hameed has written. Some where some Ranjha would surely be going crazy for his Heer. (And I am not saying it for those street frenzy, Tere Naam type guys who go crazy for every passing by girl).

Remember Janardhan from Imtiaz Ali's critically acclaimed musical romance Rockstar. The college canteen owner categorically said to him, look if you want to make a real name out of your singing, you need to have a heart break and he went on to search for a love (going wrong) situation which ultimately lead him to be Jordan, the musical icon.

No one and literally no none can deny that youth is the prime time period when every one of us regardless of gender, cast, creed or color blossoms a feel to be loved and loved in a special way. Our Qudoos had the same desire too and he wanted to fell in love with someone who fells in love with him. And that poor rural layman didn't knew that someone has already lost her heart over his simplicity. 

Usey bara intezar tha ke koi us per apni jaan luta de... Koi jogan ho ker usey jogi ker de. And when it was disclosed to him that it has happened, he couldn't sum up courage to face the music and went back to village, only to get some more of the burning.  Hikmat ke chorahon per bhi hijr ke nasoor duhaiyan detey phirtey hain... Idher udher phirtey hain... Phir bhi na rah patey hain na yaar... The reason being her father's known nature. Her father the mean Hakeem saab. You may call him the male version of Miss Havisham (Great Expectations). What happened next, should be read in Us Darr Ka Jogi.

“Ah, clear they see and true they say

That one shall weep, and one shall stray”

Dorothy Parker

Let me confess you get to know if it is a Sumaira Hameed's literature right from the word go. She can trick you with her beginnings. Check the goosebumps moment... Awaz kuch aisi thi ke woh sota hi reh jata to kitna zulm hota... Is per... Us per... Dono per...Beautiful way of expression. Hats Off Ms. Sumaira. Story doesn't conclude here. Sumaira is one of those few genuine artists, who enjoy playing with the fabrics of the words and this fiction is no different. A galaxy of brilliantly executed monologues are here and they work as a treat for those who love to read with supreme pleasure. Aap ka kiya gham hai jee... Jab khud hi batana hota, to yahan kiyo ati???

For Yaaram fans, this time Sumaira has a lot more in the store for you. Many of the phrases were having so much resemblance with Yaaram and they were inviting you to enjoy the proceedings the way we enjoyed Yaaram. Woh janti thi, woh aey ga... Woh janta tha woh jaey ga... Sumaira gives a very sweet taste of first love. See how authentically she portrayed the feel of young lovers. Us ne sir ko utha ker uper dekha... Phir sir ko jhukaana bhool gaya... Kaajal ki jagah aaj ankhon mein surma laga tha or mehboob qadmon mein betha tha...  It was quite amazing to see the paradigm shift in terms of expressions & dialects when Sumaira takes the story from Lahore to the village. Dil per jandri lag gai hai kaka... Khol do ya khulwa do. I just loved this coming of age for main characters. 

I feel this fiction is a very suitable reply for those who were saying that Sumiara can write only dark stories. Although she has already broken this fake myth by delivering some real hilarious (and decent at the same time) comic situations in many of her written pieces but this time she kept her focus on entertainment quotient a bit more. Her primary character (both of our protagonists) show them as jolly good, happy go lucky people and the lively atmosphere was all over the story along with the depiction of intense hard hitting melodramatic romance. Needless to say that Sumaira is a master when it comes to evolve characters.

Another important aspect which should never be ignored is that the story took place in the center of lively city Lahore, yet it had a touch of that particular spiritualism or Sufism in it which is a signature style of Sumaira Hameed's writing. Not only the title had its due share of Sufism (with the word Jogi in it) but also the love of Qadoos & our untitled lady (I would prefer to call her Heer) was more of a spiritual in nature rather than what we experience in this era.

In totality, this is yet another Sumaira Hameed's read with an ocean of expressions, beautifully discovered characters and some heart touching quotations.

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Padmavati (Sanjay Leela Bhansali)- Trailer Review by Shoby

Padmavati (Sanjay Leela Bhansali)- Trailer Review by Shoby

When the name of Sir Sanjay Leela Bhansali appears in front of you, what do you assume. Grandeur in cinema. He has given classics in his carrier including Hum Dil De Chukey Sanam, Devdas, Black, Saawariya and Baajirao Mastani. After a wait of almost two years, the father of cinema is returned to the business with his another period magnum opus titled Padmavati, which is slated to be released on December 1st, 2017. Film stars Deepika Padukone, Shahd Kapoor, Ranveer Singh & Aditi Rao Haidari in lead roles. Music has been composed by Sanjay Leela Bhansali himself, where lyrics are penned by Siddarth & Garima and Background Score is composed by Sanchit Balhara. The trailer of the film has been released a couple of days ago and here is our analysis on the same.

First thing first, this trailer has the same Sanjay Leela Bhansali's signature feel. You will witness the true larger than life canvas in all the frames. From the majestic set design to the noble wardrobe, from slight gestures of Deepika Padukon's standalone sad eyes to the opulent background score, I feel, Sir Sanjay Sir has never gone flat. No compromise has been made over the prestige & grandiosity of the product.

Although all the scenes in the trailer are breathtaking views, a result of stunning cinematography but to me the one where Deepika is shown looking on to the head turban of Shahid while Shahid looking into her eyes is sheer goose bumps. With only two monologues featuring in it, this one is without any doubt one the grandest affairs we have witnessed in history, when it comes to viewing Bollywood films. With Shreya Ghoshal & many other excellent voices behind the mic, the music lovers must be waiting anxiously for the soundtrack of the film, which would be one of its kind for sure. 

With this trailer which itself asking for more, I personally cant wait for its release.

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Daaj (Sumaira Hameed)- Fiction Review by Shoby

Daaj (Sumaira Hameed)- Fiction Review by Shahbaz Ali Naqvi (Shoby)

These violent delights have violent ends

And in their triumph die, like fire and powder

Which, as they kiss, consume

Romeo and Juliet (William Shakespeare)

Do we ever realize what sort of society we are living in. Love, for which Marianne Williamson said, "An enchanted love, an awakened love, between two people is a blessing on the entire world." Love, which is the base of the humanity. Love, without which no Earth can survive is still considered something taboo. It looks like someone has written over the heart of everyone that hey, don't dare to touch Love, it is not for faint-hearted. Love, that was bestowed to conquer the worlds is now assumed to be prohibited, courtesy our so-called social norms which allow human devastation in large but never are kind enough to make two souls one. And I agree that Albert Einstein was so true in saying that, "The world is a dangerous place to live; not because of the people who are evil, but because of the people who don't do anything about it."

Daaj that literally means dowery. Dowry that is considered to be almost a sacred entity for the women attached to it, especially the mothers that prepares the same & the brides. Dowry for which Quintus Horatius aka Horace (Roman Poet) said, "The great virtue of parents is a great dowry." But why to prepare a dowry as no one survives to avail the blessing.. Daaj, jo kisi ko naseeb nahi honey wala tha...

Sumaira Hameed's Daaj is not a story, it is an experience that takes you to the journey to a place in the pre-independence era, where society is plagued with various syndromes. Love is a forbidden act and men have to be the guardian angel, where they have to demolish this evil (read love) and what else could be the easiest way of doing so, other than finishing the prime cause, so in the words of Sumaira Hameed, Zameen apni kokh mein banjar ho chuki thi, jab se is kunwey ki koskh mein kokhey ujarney lagi thi... and there was no stopping for them in this regard.

Time was steadily passing by and every female culprit of the love was subjected in a punishment of throwing into the village well. Guardian angels were happy & proud of their strong valid acts whereas poor mothers were mourning over the loss of their wealth, the daughters. Yaar ki pakhi bani dikhai deney lagi to gaon ke aik aik mard ne kunwey ki rah dekh li or aik aik maa ke dil mein anni gaarni shuru ker di... Read what happens next in the fiction.

I believe Sumaira is at the top of our female leading writers list when it comes to show the actual social ongoing. She never shies in presnting the actual terms that the society uses in the daily speech and it makes her writing look so authentic. Stories like Main Bint e Jameela & now Daaj are evidences that she never goes below the belt but uses the original metaphors that validates the native linguistic approach, prevailing in the society on which her stories are based on.

Although Sumaira has written it as a period story but I feel this very situation still prevails somewhere in the society especially in the ruler areas of Indo-Pak region, where people still fight over the minor disputes of water or cattle. 

I admit that it is a bit difficult for an average reader to connect with these type of stories and they may find it hard to swallow the same because we the people living in a fad world don't know what it tastes to be like one of them. Gaon ki baas mein aurton ki ahen sisakti thi... Mardon ke sang in ke dil kuchaltey they... Un ke lams inhain taar taar kartey they... WHY??? Because, after seeing this serious genocide, they were losing every possible hope of living, till the time arrived when they decided to take revenge. Kunwey ki kanwariyon ke daaj ki tayari unhon ne apni jaano pe khel ke ki thi...

Daaj is a superlative of atrocity & revenge. Good thing is that writer here, has never intended to make a statement out of it and she has left it totally to the readers to be the judge and decide which segment of the society went wrong. Although its haunting but keep a check, somewhere around us, you may still find a place, where objects are all set to seek revenge...

Daaj ke soot kaat'tey kaat'tey, maon ne taatron ki dhaar bhi tez ker li thi...

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Surkh Aandhi (Aymal Raza)- Fiction Review by Shoby

Surkh Aandhi (Aymal Raza)- Fiction Review by Shahbaz Ali Naqvi (Shoby)

“What is it, dear?” asked Sue.

“Six,” said Johnsy, in a voice still lower. “They’re falling faster now. Three days ago there were almost a hundred. It hurt my head to count them. But now it’s easy. There goes another one. There are only five now.”

“Five what, dear? Tell your Sue.”

“Leaves. On the tree. When the last one falls, I must go, too. I’ve known that for three days. Didn’t the doctor tell you?”

The Last Leaf (O Henry)

What makes this world an impossible place to live in? Yes, you guessed it right. It is the wickedness of these dangerous social animals that takes away the peace & prosperity of the planet and in return, gives a devastation that cannot be repaired in any case. In this materialistic world of people filled with severe greed, It is considered as a real taboo to love in its purest form. Hardly we have seen a couple surviving in this selfish arena. Aymal Raza gives us a taste of a handful of different global literature and projects the master plan beautifully to present a heart touching story of a mother whose only daughter Shaano was unluckiest enough to find a path which no one survives in totality. “So it’s true, when all is said and done, grief is the price we pay for love.”  E.A. Bucchianeri (Brushstrokes of a Gadfly)

It happens by luck that Shaano dives deeply in the love of Akram who by chance belongs to the clan of enemy. Let me pause you here for a while and share with you one of my most favorite scenes from Sir Sanjay Leela Bhansali's Raam-Leela, which to me suits here the most.

Tu mujh se pyar mat ker lena... Rajjari hoon main... Dusman...

Dusman... Tabhi to ankhen lar rahi thi baar baar

Coming back towards Surkh Aandhi, as the story progresses, you will observe that you are not at all reading a Desi version of Romeo & Juliet. In fact, there is so much more in the heart of the plot to explore. Courtesy, the ever-occurring phenomenon of greed & selfishness, Shaano's brothers were bothered more for her very existence rather than to look upon the act she has committed (i.e. felling in love). The relationship that sprang between Shaano & Akram paved a way for them to make the penultimate decision. After all, it is the Zarr, Zann & Zameen that becomes the seed of the war globally. How karma plays its part and what happens next must be read in this 10 odd page fiction.

I feel Surkh Aandhi is a strong comeback of Aymal Raza. It shows the real power that the writer posses when it comes to producing gem of a product. See how beautifully, she has shown the actual face of our ruler life where people are still living a stone-age life. They still fight ruthless wars over non-issues and women creed for them is just another entity that can be used wherever the utilization is demanded.

It is true that they don't bury the daughters now, but they wait for them to grow up and then kills them even more brutally, as the fate of the female fraternity has not changed after achieving this much so called civilization. Pakkey phal ki rakhwali is ke aghaz se bhi zeyada kerni parti hai... It tells us what the mothers have to go in these ruthless circumstances. Bayahi maa ko phir se kanwari honey jaisi fikrey hi to laga deti hain yeh betiyan....

Apart from the strong subject matter handling, Surkh Aandhi is a treat for those who love to collect quotes from the reads. Aymal surprised after every two or three lines with a spectacular heavy punch line. A couple of my picks are mentioned here:

So jangey haar jaaney jitna matam us ki ankhoin se ayan hota tha...

Kaashi koi qismat ko jaan sakta... Phir na doodh se jalta, na chaj ko phoon marta...

One particular thing that makes the story stand out from the cluster was the symbolical portrayal of subject, that is managed so well by the author. See how smoothly she depicted all the grief & sorrow of the plot symbolically with the condition of the pomegranate tree. Throughout the story, the tree remained a firm source of symbolism. No, its not another The Last Leaf. It is a well orchestrated thought that has a solid reasoning & heavy brainstorming involved in it.

My verdict, Surkh Aandhi is Aymal's genuine take on classics like The Last Leaf and Romeo & Juliet, with a much needed twist in the epicenter of the story. You may argue that there was nothing much new in the proceedings as far as the subject is concerned, however as far as the narrative & storytelling is concerned, to me, Surkh Aandhi emerges as a clear winner.

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Rah Noor Dashauq (Sumaira Hameed)- Novel Review by Shoby

Rah Noor Dashauq (Sumaira Hameed)- Novel Review by Shahbaz Ali Naqvi (Shoby)

Disclaimer:

This is the property of critic Shahbaz Ali Naqvi (Shoby) and blog Shobywood. Reproduction of any of its part without written approval of the owner is subject to punishment, as per prevailing law.

Gary Vaynerchuk said, "The chef that grew up with the grandma who cooks tends to always beat the chef that went to the culinary institute. It's in the blood." And our dear poor village girl Deena was the one same being. Rah Noor Dashauq is a success story about how a female village caterer went on to achieve the prime of her triumph with the blessings of ALLAH PAK, courtesy the art of cookery that was bestowed to her. Jaisey maa ko aulaad, kesan ko beej, ankh ko noor, aisey us ne masalon ko naam se nahi, khawaas se jaan liya tha... My regular readers, please don't get bored of my this one sentence. Sumaira Hameed manages well to surprise us all again with a story that is never ever tried earlier in our Urdu digest industry, as she has once again chosen a field of life that has never been explored may be in any mainstream media leave alone digests in Pakistan.

Deena, a village girl who has a passion to take her father's occupation (catering) to the next level by becoming a professional chef starts of her journey by catering in small functions, after demise of her father. Maut ke kaaley namak ne seedhey saadey zaiyqey nigal liye... The novels highlights  all the downs & downs (as she has not tasted even the minimal sugar of ups in the life till the very end) of Deena. It is an interesting tale about how she managed to take admission in a culinary institute and later on got expelled on drugs charges. She didn't lose hopes and started job as a helper of professional chefs but once again got struck badly by the fate. No matter what... Zindagi aap ko medaan mein sab se akhir mein hi le ja ker khara kiyo na ker dey... Kharey ho jaey... Buss girey nahi... Her lose-lose situation continued and she tried to stand up after every damn hit of the luck till the time she gave up. However destiny had some other plans for her and she was born to fly high, as she had a mystery ingredient which other's recipes lack. Sab masaalon mein sab se mehnga... Dunya ke bazaar mein sab se sasta juz... Aansoo... To know, how she managed to step in the game again, read the novel, as I don't want to be spoiler now. KHUDA ke ilawa kon hai, jo lain se pehley dain teh na karey...

Let me tell you, attempting this endeavor in a mainstream commercial digest writing is not an easy task to do and if I say, only Sumaira has the power to take this challenge, it wont be false. I remember, when R Balki announced Cheeni-Kum with a male chef as a protagonist, public & even some critics thrashed the idea but later on, it went on to be a huge success, not only critical but also commercial.

The best thing about this story was Sumaira's research on the subject matter. If you look closely at the things, you will be surprised to see that she had to undergo an extensive research on several entirely different environments. From the desi life of a Punjabi village & the things associated with a traditional caterer (read nayee) to the extra glittering life of a high class culinary institute and then lively atmosphere of central Lahore (Bhaati Gate & adjacent areas) including an old traditional haveli & its 25 odd inhabitant. You will be stunned to read the use of daigs along with the culinary terms she used all through the proceedings that really enhanced the overall taste of the story.  Ten on ten for this. 

This novel is a sparkling star as far as the dialogues are concerned. I don't know, how many times I have literally screamed in joy and vocally said WAH, while reading her dialogues. Barkat asmaan se insano ki niyyat per uterti hai... (Beshak... Subhan ALLAH)...

One thing about  Sumaira Hameed's writing is, she has a natural tendency to align her dialogues with the primary theme of the subject. For instance, here we are reading something based on cookery and Sumaira gives us a delightful aroma of the same in every second or third dialogue. Yahan ke log pather dil hain or main pather ko zaeyqa daar nahi bana sakti... Too good.

As every other struggling star's story, this one was full of pain & grief but Sumaira pulled some excellent slapstick one-liners that forced me to laugh. "Forun le jao per faut ker ke to na le ke jao na..." Her dialogue "Her cheez ki aik qeemat hoti hai... Huner ki bhi..." reminded me of one of the most extensively used dialogue in the series Once Upon A Time, "Every magic comes with a price..."

Sumaira has given all of us a universal lesson. No matter what field we belong to, if we consider ourselves as a true artist, we should always follow this simple & straight rule of thumb. Jean-Louis Barrault (A French Actor/ Director) said, A classic is like a hidden treasure. Its core is buried under so many layers of varnish that it can be reached only by patience and infiltration and in Rah Noor Dashauq Sumaira says, "Jo shakhs ujlat ka shikaar ho... Besabra ho or jaldbaaz ho.. Woh koi takhleeq kesey ker sakta hai...". True indeed.

Overall, this novel is a beautiful take on a wannabe chef's life including all the professional jealousy that a naturally talented person has to face in this world of fake & fad. It enlightens us with her struggle to make a carrier out of dust with a pertinent message written all over it. Takhleeq kisi bhi sinf ki ho, shafaaf dil per uterti hai... Kamiyabi kisi bhi darjety ki ho, musalsal jadojehad se milti hai...

PS: Don't forget to provide your valuable feedback on the review in the below comment box.

Faisla (Episode 1)- TV Show Review by Shoby

Faisla (Episode 1)- TV Show Review by Shahbaz Ali Naqvi

When trust is broken, the relationship fails to prevail. Faisla, the debut written TV serial of Aymal Raza kicked off last week on ARY Digital with a double episode. In this inaugural episode of Faisla, the whole focus was on the character of Maryam (Sonia Mishal), who is shown truly madly deeply in love with her husband Umair (Ali Abbas) and how their love marriage concludes in a devastating manner in the form of a divorce, courtesy Umair's extra marital relationship with another girl. It was also told in the script that all this was a by-product of Maryam's nature where she was always in doubt with respect to Umair's behavior. Meanwhile we are also introduced with Asad's  (Gohar Mumtaz) love for Maryam who belongs to relatively lower class as compared to rich birds Umair & Maryam.

So considering it as a introductory episode of the play, let me tell you that the serial was much successful in building a strong premise for the story. Seems like Asad will be able to turn the table in his favor, considering Maryam is now divorced. In the acting department, Sonia has done a fabulous job. Right from the first frame, where she was shown cutting (read destroying) her wedding anniversary's cake to the scene where Umair gives her the divorces, she was at her very best in almost every scene. The best thing about this acting was, her being natural. Ali Abbas & Gohar were good in bits. I like Ali's conversation with his mother post divorce. Waseem Abbas & Saba Hameed are seasoned actors and they have surely implanted a positive energy through their acting prowess.

Coming towards the story, it was a signature start of Aymal. We all know, whenever she writes episodic, the first episode starts & ends like this very way. She shows her characters in agony & pain and then eventually re-evolves her characters and bring them back to life. Maryam is presented in the same affliction which we are used to of observing in Aymal's characters (Nigaar in Piyaal Saaz & Bianca in Taveez e Hubb).

Aymal tried to keep the things simple & self explainatory in the innaugural episode. She never looked in a hurry to tell what she was up to. Dialogues were natural and much related to our daily routine life. I expect some solid punches in upcoming episodes from Aymal, the type of dialogues she is famous for. However we have seen a glimpse of it in, Maaon ko weham nahi, ilhaam hotey hain...

Aymal is famous for giving unorthodox titles to her writings. This time, we have seen rather a traditional one (i.e. faisla). I feel, may be this is so, because the word Faisla (decission) is going to be the key factor in the script. But as a regular reader of her, somewhere in my mind, I was perhaps looking forward for something more out of the box.

One thing is for sure that Aymal is going to show us the glimpses from the past in flashbacks and in this regard, we shall get to see the warm romantic side of the story. We all know, Aymal is at her prime best in writing both the feelingsof pain & romance. People still cherish the exceptional conversations which took place between Basil and Zimel in Piyaal Saaz.

Upcoming episodes will unfold the story more. Leaving you with two questions to answer. What will Umair do now, after divorcing Maryam and how will Maryam reacts over the same, once the things move further.

Kis Se Munsafi Chahey- Article by Saima Tasmeer

Kis Se Munsafi Chahey- Article by Saima Tasmeer

This article is written by Ms. Saima Tasmeer highlighting the actual current situation of Myanmar (Burma) Muslims.

Disclaimer: The article is the property of Ms. Saima Tasmeer and we are sharing the same at Shobywood with her consent... Reproduction of any of its content without her consent is prohibited.

Eid Tum Sang- Hina Abrar

Eid Special Story- Eid Tum Sang

by Hina Abrar

for Shobywood

Composed & Designed by #Qd

Disclaimer:

This content is the property of writer Hina Abrar, Designer Quandeel Qamar and blog Shobywood. Reproduction or Copy of any of its part without written consent of Shobywood is prohibited and will be punished according to prevailing law.

Qurbaani- Alishba Anam

Eid Special Story- Qurbaani

by Alishba Anam

for Shobywood

Composed & Designed by Qd

Disclaimer:

This content is the property of writer Alishba Anam, Designer Quandeel Qamar and blog Shobywood. Reproduction or Copy of any of its part without written consent of Shobywood is prohibited and will be punished according to prevailing law.

Aik Sabaq Yeh Bhi Hai- Hajra Saeed

Eid Special Story- Aik Sabaq Yeh Bhi Hai

by Hajra Saeed

for Shobywood

Disclaimer:

This content is the property of writer Hajra Saeed and blog Shobywood. Reproduction or Copy of any of its part without written consent of Shobywood is prohibited and will be punished according to prevailing law.

Qurbaani- Fatima Abdul Khaliq

Eid Special Story- Qurbaani

by Fatima Abdul Khaliq

for Shobywood

Composed & Designed by Qd

Disclaimer:

This content is the property of writer Fatima Abdul Khaliq, Designer Quandeel Qamar and blog Shobywood. Reproduction or Copy of any of its part without written consent of Shobywood is prohibited and will be punished according to prevailing law.